暂无剧情简介

A young filmmaker wants to make a film: a hybrid form between documentary and fiction about friends wanting to make art. The kind professor is fond of the concept and asks the protagonists for their permission. So far, so good. However, soon problems start to pile up. The camera man doubts the screenplay, which he thinks is too heavy on dialogue. One artist is too successful to spare enough time, the other feels like the concept frames her too much as the unsuccessful one. One's own desire to tell and make visible comes into conflict with the desires of others to be seen and not seen. "Why not use actors?" asks the camera man. With a lot of humor and self-irony, Kai Ro Liao tells of complex relationships of the documentary to the truth. 　　源自：https://www.kasselerdokfest.de/en/compilation/p-495bcb32-10d1-3543-b279-43d14a828eba

On the morning of her wedding day, Mona, a British-Indian woman, questions her rushed marriage and reflects on a period of self-discovery from her past.

“Grandma often talks while she is asleep." ”I suspected she went to more places at night than I do.", ”In my impression, grandma always sited on the chair."... The grandson recalls Grandma’s mysterious past. The ancients said, "How can you know death if you don't know life?" Death and life are inherently entangled with each other, and each brings a supporting effect to the other.